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| Photo by Christine Kreiselmaier |
Inspired by identity and the visual structure of human chromosomes, Project DNA is created almost entirely with individual and interchangeable ball and socket components that allow it to be built in a number of directions. Produced using white nylon with a 3D printer, the eight-piece collection encompasses a scaffolded corset, a blossoming feathered shoulder piece and a waist bracelet complemented by four transformative headpieces that hide key areas of the face; including a guilded horn and a mirrored mask, and a cut out visor helmet.
Catherine's futuristic collection is completely unique and can be used both editorially to stimulate conceptual thinking and scientifically to develop the capabilities of luxury fashion prototyping within the 3D space.
As an expert pattern cutter, Catherine originally approached Project DNA with a view to sustainably solve the current complications surrounding garment sizing and manufacturing restrictions. In this way, the collection embraces technological developments in order to cut down wastage and better support consumer demand.
About Catherine Wales
Catherine Wales has been working in luxury and fashion for over 15 years. Her solo work channels her recent MA in Digital Fashion from the London College of Fashion. Prior to turning her sights to the digital world, Catherine trained and worked with some of the most prestigious fashion labels in the world, cutting designs for Jasper Conran, Jean Charles de Castelbajac, Oswald Boateng, Emanuel Ungaro and Saint Laurent, where she worked with the renowned Hedi Slimane and former design assistant, Simon Spurr.
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